What Dreams May Come

September 2nd, 2010 by Dave

Before I head out to work in the mornings, I usually do a quick search of news aggrigate sites to see if anything interesting has popped up while I slept. And It’s really hard to describe the range of emotions that went though my half-awake mind when I read this.

Yes. You read that right. Sandman is finally getting a mass media adaptation. On television.

Let me be clear on one thing, my respect and near worship of Neil Gaiman knows almost no bounds. There is no doubt in my mind that hundreds of years from now, Gaiman and his works will be discussed and held in the same universal high regard as Shakespeare, Homer, Chaucer, ect. The man has such an astounding gift for writing and creating that it makes me pause in attempts to write fiction becaue I know that nothing I can do will ever be a fraction as good. Sandman is a triumph for the comics medium, proof that you can have a comic book that is both highly relevant to the literary world as well as comercially successful. Millions of fans like me have been waiting a long time for an anouncement like this.

Waiting for it and dreading it.

We want to see Sandman given it’s just due. We want to see it brought to a larger audience. But at the same time, we know that an adaptation could never be and will never be as good as the source material. The only question of an adaptation is: how bad is it going to be? Call it Schrodinger’s Adaptation: you know that there’s something inside the box, but you don’t know how good or bad it will be until the box is opened.

We’ve always known that a TV adaptation was a possibility; and to be honest, TV is probably the better way to do Sandman than a movie series. Given the quality of it’s programing, cable was the best of all options, considering the willingness of cable networks to fully invest in a risky show and consitantly turn out the best programming over the past decade. I think that I can safely speak for all Gaiman fans that on the list for networks to end up with Sandman, the CW ranked dead last, at the very bottom with Univision and Telemundo tied for next to last (edit: only for the fact that it’s be hard for non-Spanish speakers to keep up with without sub-titles. The overly melodramatic telenovela storytelling would be pretty awesome for the infighting among the Endless).

This is all wrong. This is Paris Hilton starring in a remake of ‘Wizard of Oz’ wrong. This is ‘BET Presents Othello’ wrong. The programming culture at CW is the very antithesis of the quality and majesty of Sandman. Moreover, the average CW veiwer, most Smallville fans notwithstanding, will require the stories to be dumbed down to such a degree that it would be like Tolstoy re-written for kindergarteners.

Do I hope this series will be good? Of course I do. There are the seeds of greatness here in that Eric Kripke has shown that he understands and appreciates Gaiman’s works in his own show Supernatural. I’m sure that the casting of the Endless will casue the internet forums to blaze with the light of a thousand supernovae, which will be entertaining in it’s own right to watch. Where the hope breaks down is at the corporate level. For Sandman to succeed, those in power need to take risks, allow the narritive to take it’s course realtively intact, and give the show time to establish it’s footing. In other words: the network execs at CW need to do the exact opposite of what network execs from non-cable networks do.

It has happened before. Sandman itself was a huge risk for DC. It broke all the rules for the culture at DC for the time. For a major player like DC to invest the time and money to see something so radical and experimental as Sandman through to the end speaks volumes of the faith the was placed in Gaiman’s skills as a storyteller. Hopefully, the CW’s execs will follow the example set and let Sandman be what it is.

We hope and we dream of better things. And somewhere, Morpheus is smiling on us

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Categories: Uncategorized, comics

Coming Soon…An Epic Tale…That Will Change The Universe…Hey, where are you going?

August 31st, 2010 by Dave

So, I just read this article about the major story arc this fall in Fantastic Four where *gasp!* someone gonna DIEEE!!!!111!!!!!11!!!1

Seemed like a good time to pull this gif out…

Seriously, Marvel. WTH? I thought Heroic Age was all about getting back to basics and leaving these stunts behind. How many times have we seen this before in Marvel? We’ve seen it before in the Fantastic Four before for crying out loud. You’re going to inflate sales artificially with a big event story, when when the sales drop back down again, you’re going to bring back the dead character, probably by reality breaking using Franklin or Valarie, to create another artificial rise in sales. It’s more than just a continuing cycle that you’re locked in where you have to create bigger and more shocking stories, it’s flat out lazy writing.

This is why I don’t shell out money for mainstream comics anymore. It seems these death stories are all they do anymore, and It’s anti-climatic. Can someone please tell me one good reason why I should get emotionally invested in the heroic death of a beloved character to save his/her team/planet/universe when the character is going to be brought back to life a few months to a year later? We’ve taken this journey so many times with both Marvel and DC that we know the route by heart. So, while Marvel wears some more wheel-ruts into the road, I’m going to go over hear and look at this unexplored path. Because that’s how you make the memorable experiences: by going down new roads and new paths.

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Categories: comics

It’s Fat Tuesday!

February 16th, 2010 by Kyle

…insert the Kevin Smith joke of your choice here.

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Categories: Movies, comics

Badly Played, Marvel

February 10th, 2010 by Kyle

Kyle here;

So I’m really dreading this topic. It’s the biggest comics story of the week, and yet I hate the idea of talking about it. Geek Tragedy is not a political podcast – and in fact, we take pride in not being one. We like being a place where people can get away from all the bad news and divisive politics out there.

And then Marvel had to go and do this to us.

For those of you who don’t know, the just-released Captain America Issue #602 contains Cap (Bucky) and The Falcon, hot on the trail of some violent white supremacists, ending up in Idaho and encountering a group of protesters who bear a more than passing resemblance to the “Tea Party” protesters who have been in the news so much lately. I think it would be pretty objectively fair to say that the thinly-veiled Tea Party protesters are not shown in a flattering light.

The real-life Tea Party people got pissed. And Marvel is now backpedaling as fast as they can on this, in a manner that’s not particularly convincing. Joe Quesada says that “there was zero discussion to include a group that looked like a Tea Party demonstration”, and “There was no thought that it represented a particular group”.

That’s a load of crap, Joe, and you know it. Anybody who looks at the art in that issue can tell that it was supposed to be the Tea Party protesters.

Joe says that the thinly-veiled Tea Party protesters don’t have any connection to the white supremacist militia types that are the bad guys in the current storyline. Oh, really, Joe? Then why are they in the comic at all? Do Marvel writers make a habit of dropping random stuff that doesn’t have anything to do with anything into their stories?

So one issue here is Marvel’s unsavory attempts to weasel out of responsibility for its editorial decisions. And when I say “Marvel’s editorial decisions”, I pretty much mean Joe’s. Being EIC means that the buck stops with him.

The second is about Captain America. Captain America is supposed to be the embodiment of “truth, justice, and the American Way”. Well, he, or at least his comic, wasn’t in this case.

Whether you agree with them or disagree with them, the Tea Party protesters are American citizens peaceably exercising their rights of free speech and free assembly to express their views on policies of their government and to transmit those views to the people in power. The right to do exactly that is the essence of American freedom. The defense of those freedoms, even when exercised by people that one might disagree with, is what Captain America is supposed to stand for. And if he doesn’t stand for them, then he’s just another buff dude in blue tights.

Demonizing people for peaceably exercising their Constitutional rights is most definitely not what Captain America stands for. And that’s what you did, Joe. Any denials or BS aside, that’s what you did. In a Captain America comic. Not in Punisher. Not in Avengers. Not in X-Men. In Captain America.

I would suggest that this means that some people at Marvel really just fundamentally don’t understand what Captain America is all about.

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Categories: comics

Free (Mass Effect) Comics Tomorrow!

February 2nd, 2010 by Kyle

Kyle here;

So according to IGN, Dark Horse is bringing a Mass Effect comic to iTunes. Not only that, but for one day; Wednesday, January 3rd (which is tomorrow, as of this posting), the first issue will be free to download.

Here’s what Dark Horse says the storyline will be:

Liara T’Soni searches Omega – the most dangerous space station in the galaxy – for clues that could save Commander Shepard, humanity’s greatest hero! A compelling adventure for any fan of smart science fiction, Mass Effect: Redemption exclusively tells a pivotal chapter in the story of Mass Effect 2.

But who cares? It’s free to check out, so even if you don’t like it, you’re not out anything.

And… comics on iTunes, eh? Being pushed with a promotion? Right after the iPad announcement? Hmmm…

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Categories: comics
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