What Dreams May Come

September 2nd, 2010 by Dave

Before I head out to work in the mornings, I usually do a quick search of news aggrigate sites to see if anything interesting has popped up while I slept. And It’s really hard to describe the range of emotions that went though my half-awake mind when I read this.

Yes. You read that right. Sandman is finally getting a mass media adaptation. On television.

Let me be clear on one thing, my respect and near worship of Neil Gaiman knows almost no bounds. There is no doubt in my mind that hundreds of years from now, Gaiman and his works will be discussed and held in the same universal high regard as Shakespeare, Homer, Chaucer, ect. The man has such an astounding gift for writing and creating that it makes me pause in attempts to write fiction becaue I know that nothing I can do will ever be a fraction as good. Sandman is a triumph for the comics medium, proof that you can have a comic book that is both highly relevant to the literary world as well as comercially successful. Millions of fans like me have been waiting a long time for an anouncement like this.

Waiting for it and dreading it.

We want to see Sandman given it’s just due. We want to see it brought to a larger audience. But at the same time, we know that an adaptation could never be and will never be as good as the source material. The only question of an adaptation is: how bad is it going to be? Call it Schrodinger’s Adaptation: you know that there’s something inside the box, but you don’t know how good or bad it will be until the box is opened.

We’ve always known that a TV adaptation was a possibility; and to be honest, TV is probably the better way to do Sandman than a movie series. Given the quality of it’s programing, cable was the best of all options, considering the willingness of cable networks to fully invest in a risky show and consitantly turn out the best programming over the past decade. I think that I can safely speak for all Gaiman fans that on the list for networks to end up with Sandman, the CW ranked dead last, at the very bottom with Univision and Telemundo tied for next to last (edit: only for the fact that it’s be hard for non-Spanish speakers to keep up with without sub-titles. The overly melodramatic telenovela storytelling would be pretty awesome for the infighting among the Endless).

This is all wrong. This is Paris Hilton starring in a remake of ‘Wizard of Oz’ wrong. This is ‘BET Presents Othello’ wrong. The programming culture at CW is the very antithesis of the quality and majesty of Sandman. Moreover, the average CW veiwer, most Smallville fans notwithstanding, will require the stories to be dumbed down to such a degree that it would be like Tolstoy re-written for kindergarteners.

Do I hope this series will be good? Of course I do. There are the seeds of greatness here in that Eric Kripke has shown that he understands and appreciates Gaiman’s works in his own show Supernatural. I’m sure that the casting of the Endless will casue the internet forums to blaze with the light of a thousand supernovae, which will be entertaining in it’s own right to watch. Where the hope breaks down is at the corporate level. For Sandman to succeed, those in power need to take risks, allow the narritive to take it’s course realtively intact, and give the show time to establish it’s footing. In other words: the network execs at CW need to do the exact opposite of what network execs from non-cable networks do.

It has happened before. Sandman itself was a huge risk for DC. It broke all the rules for the culture at DC for the time. For a major player like DC to invest the time and money to see something so radical and experimental as Sandman through to the end speaks volumes of the faith the was placed in Gaiman’s skills as a storyteller. Hopefully, the CW’s execs will follow the example set and let Sandman be what it is.

We hope and we dream of better things. And somewhere, Morpheus is smiling on us

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Categories: Uncategorized, comics

Don’t Fall For Phelps

July 20th, 2010 by Kyle

Well, Spider-fans, as many of you now know, the infamous Westboro Baptist Church, headed by the equally infamous Fred Phelps, has decided to go to San Diego Comic Con to make trouble. Responses have ranged from outrage to appeals for donations to causes that would likely annoy Phelps, but I’d like to make my own suggestion for a response here:

Ignore them. Completely and utterly.

The thing is, these people are not serious people, and should not be treated as if they were. All they are is an IRL version of internet trolls. And like all trolls, what they thrive on is attention. Trolls aren’t afraid of being argued with. Just the opposite – starting a “flame war” is the whole reason they do what they do. If, on the other hand,  everyone just totally ignored them, eventually they’d go crawl back under whatever rock they came from. So stop complaining about them. Stop worrying about them. Stop thinking about them. But most of all, stop talking about them. Not even to say how much you don’t like them. Don’t talk about them on your blog. Don’t mention them on Twitter. Don’t join an anti-WBC Facebook group. Don’t comment on online stories about them. Don’t join a counter-protest against them in San Diego. Don’t give them what they want. Don’t play their game. Don’t get trolled. Starve them of the attention they crave and let their little group die on the vine.

And yes, I realize I’m violating my own advice right now. But I’m trying to use whatever voice I have here to stop this before it gets out of hand. So from this point on, I’m never going to mention Fred Phelps or the Westboro Baptist Church again. And neither, dear friends, should you.

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RIP Harvey Pekar

July 12th, 2010 by Kyle

Harvey Pekar of American Splendor, a true American original, passed away today at the age of 70. Be assured, the next world is a little more irascible for it. Harvey Pekar, in all your neurotic, curmudgeonly greatness, we salute you.

A longer obit, from his hometown paper in Cleveland, can be found here.

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We Make The Birdemic Pilgrimage

June 25th, 2010 by Kyle

Hey all!

So this week, we went to Half Moon Bay, for a pilgrimage to many of the sites made famous by the cult hit Birdemic. So join us, won’t you?

Here’s where we start our tour – finding a parking spot! Here’s where Rod parked the “plug in hybrid” Mustang:

And here’s where we parked the Geekmobile! Same spot!

Rod stopped for lunch at the Main Street Grill:

And so did we!

Rod had a seat at the fateful spot where he first saw Natalie:

And we sat ourselves down in the infamous “Rod” seat, too!

Rod left by the front door after lunch:

And we did the same!

Rod chased down Natalie – “Cherchez la femme!”:

And we stood in that same magical spot:

Could you say we felt the magic of being there – right at that very spot where movie romance blossomed? Where a legend was born? Why yes, yes you could.

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An Open Letter to NBC/Universal

May 17th, 2010 by Dave

Dear NBC,

Hi there. Do you remember what it was like when you were #1? Because I do. When you were good, you gave us some of the greatest (or at the least, most enjoyable) television programs ever created. Shows like Knight Rider, the A-Team, Miami Vice, Quantum Leap, Cheers, Frasier, the Fresh Prince, the Cosby Show, Seinfeld, ER, St. Elsewhere, The West Wing, and select seasons of Law & Order and Saturday Night Live. Heck, you even gave the world Star Trek. Oh sure, it hasn’t always been all wine and roses (I still remember Manimal), but overall, you’ve put out a lot of quality shows that go down in TV history and are remebered decades after they stop airing.

Now look at you. It’s like you have no respect for yourself nowdays. You’re 4th in the networks and the only reason you aren’t dead last is because the CW is…well…it’s the CW. And this isn’t just becasue of the whole Tonight Show debacle; Jay Leno forcing his way back like that was only an obvious symptom of the decay, not the root cause. This past week, you got off the couch and set aside the gallon of Hagen-Daz you’ve been drowning your sorrows in long enough to release your 2010-2011 line up. And I gotta be honest: it doesn’t look like you’re making a comeback any time soon.

So, consider this an intervention by a freind that remembers the good times we’ve had and wants them to return. Becasue I love you, bro. No homo. Not that theere’s anything wrong with that.

1) Complete shake up of Upper Management. Yeah, I know this isn’t likely to happen. But the fact of the matter is: it *needs* to happen. Ever since he ran SNL into the ground, Dick Ebersol has never showed much tallent at choosing and producing shows other than sports programs. The success of NBC in the late 90′s/early 00′s is more due to Tartikoff’s legacy and vision than Ebersol’s capability. Ebersol needs to step aside and get back to what he knows and does best: produce exceptional coverage of sporting events like football and the Olympics. And speaking of stepping aside, Jeff Zucker has to go. I don’t think we’ll ever totally know what happened in January of this year with CoCo-gate, and there are some chances it wasn’t all Zucker’s fault, but he’s the man in charge of the network. He has to take the blame for failures as well as the credits for successes. Even though Captain Smith wasn’t totally at fault for the Titanic, it still happened on his watch and he had to go down with the ship as well as take the blame.

2) Give Law & Order it’s last lap. Come on, this should be a no-brainer. Yes, I know the quality of the show isn’t what it used to be, but seriously? The finish line is in sight and you’re going to pull the plug on it now? Give the show it’s last season to make the record books and let Dick Wolf give the remaining fans full closure. Just admit that the reasons the ratings tanked this past season was becasue L&O’s time slots were shifted around to accomidate Jay’s failed experiment and it’s consequences. You already look like a bunch idiots from the Tonight Show disaster; can you really afford to look like major jerks twice in one calendar year?

3) Flashy FX + Bad Writing = Poor Ratings. Look, I loved Heroes when it first came out. It was awesome and fairly inventive. But the writing took a nose dive in the second season becasue of the strike and was never allowed to recover becasue it was more important to the network to spend the money on special effects and salaries than good writers. If you are going to develop a sci-fi show, you need to realize that your audience is going to be divided in two camps: sci-fi fans and everyone else. If you give Sci-Fi fans things they want like good writing, character development, and plots, you have a solid and loyal viewing base that anchors the show and will be talking about the show around the Internet and office water coolers to keep Mr. & Mrs. Middle America intersted instead of giving into ADD and flipping over to see the shiny new show on the other network. Do you think the average veiwer would have caught on with the insanity of Lost in the beginning if the Sci-Fi fans that work with them hadn’t been talking about it non-stop? You know (and count on) the fact that average television viewers are herd animals that follow a leader, and the geeks will lead them if they’re excited about a sci-fi show.

4) Listen to the core fanbase. This goes hand-in-hand with #3. If you had been paying attention, you wouldn have known that Heroes had pretty much lost the comics geek audience in Season 2, and that you weren’t getting it back in Season 3. You lost your geek core, and the average viewers left to go check out the Next Big Thing. How much money would you have saved if you hadn’t tried to do a fourth season with the ‘Claire goes lesbian at college’ storyline that smacked of total desperation for ratings? Relevant case in point for the upcoming season: The Cape. If comics fans are laughing at your comics-themed show becasue of the costume design and premise (and believe me, we really are getting a good laugh), do you think Mr. & Mrs. Middle America are going to find them less ludicrous? And again, tossing Summer Glau (her excellent acting skills notwithstanding) into the show is an obvious and desperate attempt at gaining geek cred for a doomed show.

5) Admit that the Internet is not going away and figure out how to profit from it. This is something that *all* of Hollywood and the entertainment industry needs to wake up to. Digital distribution and viewing on the Internet, leagaly or otherwise, is not going awsy. Sticking your collective heads in the sand while plugging your ears and screaming “LALALALALALAICAN’THEARYOU!!!!” isn’t going to solve the situation. You need to adapt and figure out a way of making a profit or you will die out as the rest of humanity passes you by, and you need to adjust sooner rather than later. Broadcasters screaming about the death of radio due to piracy in the 1930′s didn’t stop magnetic tape recording from being adopted and becoming the main media storage choice for most of the 20th century. Jack Valenti screaming at Congress about how the VCR was the work of Satan and was going to kill Hollywood if it wasn’t ruthlessly stamped out didn’t stop the VCR from being in virtually every house in America in the 80′s and 90′s. Pretending that a rapidly growing portion of Americans aren’t bypassing traditional broadcast TV to get their entertainment from DVR’s, direct downloads, and Internet video sites isn’t going to make digital distribution go away. With the technology that’s available, you can scrap the outdated Neilsen system and get a much better picture of how many viewers each show is getting. Realize that broadcasting original programming is becoming a loss leader into DVD and direct download markets like iTunes. Also realize that piracy is not going away; but rather than screaming about it and using it as an excuse not to go into the digital distribution age, learn to work around it. You think a fan is going to pirate a DVD collection of thier favorite show if they get a cool freebie when they buy it legitimately? Like a contest to visit the set, or even a walk-on bit? Learn the lesson from J. Michael’s Stracynzsky’s appearance at BayCon: he made a surprise appaerance at a chairty auction one year and raised $10,000 just for a single busness card with his signature that entiled the bearer to a tour of the Babylon 5 set and lunch in the commisary. The bottom line: geeks and fans will pay big money for things related to their favorite shows; give them a reason other than legality to buy a show and 9 times out of 10, they’ll pony up.

Just think about these things, okay? The last thing anyone wants is for a full intervention crew to show up at an NBC board meeting. Because Intervention is on A&E and you wouldn’t get the shares.

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Categories: Uncategorized

Our Best WonderCon Pics

April 3rd, 2010 by Kyle

Here’s what we saw at WonderCon:

Not even at the con yet, and we found the Empire invading the local ADIDAS store (all part of a promotion involving the new Star Wars themed line of ADIDAS shoes).

IRL mom and daughter cosplay Sailor Moon and Chibi Usa! Kawaii!

Being a terror-inducing space monster can really work up an appetite!

The Anti-Twilight League speaks truth to power.

Dave gets smacked in the nuts by the screen of the podcasting laptop during our interview with Phil Foglio. And there was much laughter all around.


Jaimel and Ledon prepare to hate WonderCon!

Did we mention NPC Comics’s new line of t-shirts and other apparel? Here’s a preview. Stand by for more announcements on our Natural 20 clothing line in upcoming episodes of the podcast!

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Our Forums Are Open!

March 12th, 2010 by Kyle

Our message boards are now open! Come by, sign up, and tell us what you think!

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Meanwhile, On Jaimel & Ledon Hate The World…

February 26th, 2010 by Kyle

This week, Jaimel and Ledon get hit on the head and wake up thinking that they’re Wesley Willis

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Kirsten Dunst, McG, Akihabara, The Vapors

February 20th, 2010 by Kyle

Easily the coolest, weirdest YouTube video I’ve seen all month!

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A Visitor At The Studios

February 8th, 2010 by Kyle

Kyle here;

A very special guest visited the NPC Comics Studios recently, and I just had to post a picture:We wanted to get an interview with him, but all he wanted to do was “phone home”.

(Shockingly gaudy early-80s plaster bust of ET courtesy of my aunt and her desire to finally get her basement cleared out)

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