What Dreams May Come

September 2nd, 2010 by Dave

Before I head out to work in the mornings, I usually do a quick search of news aggrigate sites to see if anything interesting has popped up while I slept. And It’s really hard to describe the range of emotions that went though my half-awake mind when I read this.

Yes. You read that right. Sandman is finally getting a mass media adaptation. On television.

Let me be clear on one thing, my respect and near worship of Neil Gaiman knows almost no bounds. There is no doubt in my mind that hundreds of years from now, Gaiman and his works will be discussed and held in the same universal high regard as Shakespeare, Homer, Chaucer, ect. The man has such an astounding gift for writing and creating that it makes me pause in attempts to write fiction becaue I know that nothing I can do will ever be a fraction as good. Sandman is a triumph for the comics medium, proof that you can have a comic book that is both highly relevant to the literary world as well as comercially successful. Millions of fans like me have been waiting a long time for an anouncement like this.

Waiting for it and dreading it.

We want to see Sandman given it’s just due. We want to see it brought to a larger audience. But at the same time, we know that an adaptation could never be and will never be as good as the source material. The only question of an adaptation is: how bad is it going to be? Call it Schrodinger’s Adaptation: you know that there’s something inside the box, but you don’t know how good or bad it will be until the box is opened.

We’ve always known that a TV adaptation was a possibility; and to be honest, TV is probably the better way to do Sandman than a movie series. Given the quality of it’s programing, cable was the best of all options, considering the willingness of cable networks to fully invest in a risky show and consitantly turn out the best programming over the past decade. I think that I can safely speak for all Gaiman fans that on the list for networks to end up with Sandman, the CW ranked dead last, at the very bottom with Univision and Telemundo tied for next to last (edit: only for the fact that it’s be hard for non-Spanish speakers to keep up with without sub-titles. The overly melodramatic telenovela storytelling would be pretty awesome for the infighting among the Endless).

This is all wrong. This is Paris Hilton starring in a remake of ‘Wizard of Oz’ wrong. This is ‘BET Presents Othello’ wrong. The programming culture at CW is the very antithesis of the quality and majesty of Sandman. Moreover, the average CW veiwer, most Smallville fans notwithstanding, will require the stories to be dumbed down to such a degree that it would be like Tolstoy re-written for kindergarteners.

Do I hope this series will be good? Of course I do. There are the seeds of greatness here in that Eric Kripke has shown that he understands and appreciates Gaiman’s works in his own show Supernatural. I’m sure that the casting of the Endless will casue the internet forums to blaze with the light of a thousand supernovae, which will be entertaining in it’s own right to watch. Where the hope breaks down is at the corporate level. For Sandman to succeed, those in power need to take risks, allow the narritive to take it’s course realtively intact, and give the show time to establish it’s footing. In other words: the network execs at CW need to do the exact opposite of what network execs from non-cable networks do.

It has happened before. Sandman itself was a huge risk for DC. It broke all the rules for the culture at DC for the time. For a major player like DC to invest the time and money to see something so radical and experimental as Sandman through to the end speaks volumes of the faith the was placed in Gaiman’s skills as a storyteller. Hopefully, the CW’s execs will follow the example set and let Sandman be what it is.

We hope and we dream of better things. And somewhere, Morpheus is smiling on us

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Categories: Uncategorized, comics

Geek Tragedy #53: Movie GOAT!

August 31st, 2010 by Kyle

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Dave is joined by Browncoat Lisa as they cover the top 25 Sci-Fi movies of all time. Also, geek news and a killer pick of the week!

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Coming Soon…An Epic Tale…That Will Change The Universe…Hey, where are you going?

August 31st, 2010 by Dave

So, I just read this article about the major story arc this fall in Fantastic Four where *gasp!* someone gonna DIEEE!!!!111!!!!!11!!!1

Seemed like a good time to pull this gif out…

Seriously, Marvel. WTH? I thought Heroic Age was all about getting back to basics and leaving these stunts behind. How many times have we seen this before in Marvel? We’ve seen it before in the Fantastic Four before for crying out loud. You’re going to inflate sales artificially with a big event story, when when the sales drop back down again, you’re going to bring back the dead character, probably by reality breaking using Franklin or Valarie, to create another artificial rise in sales. It’s more than just a continuing cycle that you’re locked in where you have to create bigger and more shocking stories, it’s flat out lazy writing.

This is why I don’t shell out money for mainstream comics anymore. It seems these death stories are all they do anymore, and It’s anti-climatic. Can someone please tell me one good reason why I should get emotionally invested in the heroic death of a beloved character to save his/her team/planet/universe when the character is going to be brought back to life a few months to a year later? We’ve taken this journey so many times with both Marvel and DC that we know the route by heart. So, while Marvel wears some more wheel-ruts into the road, I’m going to go over hear and look at this unexplored path. Because that’s how you make the memorable experiences: by going down new roads and new paths.

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Categories: comics

The Geek Tragedy Channel!

August 29th, 2010 by Kyle

Hey all;

The Geek Tragedy YouTube Channel is open! Come on by and see what we’ve got at:

http://www.youtube.com/user/geektrag

We’ve already got two videos posted! One is a must for Sailor Moon fans, and another is a hilarious, and extremely rare, convention panel featuring the cast of Forever Knight. And more’s sure to be posted soon, so go see what’s on!

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Categories: Announcements, Tech

Geek Tragedy #52: Spidey Gets All the Girls

August 24th, 2010 by Kyle

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Dave hits all the news and reviews for the dog days of summer with the newest member of the NPC Podcast family:  Jody of Level Up!

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In Defense of Actor Stereotypes

August 21st, 2010 by Dave

In light of Michael Cera and Jennifer Aniston both having films out where they play…Michael Cera and Jennifer Aniston, one of the movie critics at Entertainment Weekly put up this article where he examines the idea of an actor or actress who always plays the same roles and how that idea has changed over the years. He does have a point in that 9 times out of 10, Jimmy Stewart played Jimmy Stewart, and so on.

On reflection, this whole idea of an actor being the same in every role was prevalent in Hollywood before method acting and such caught on with Brando and the young crowd of the 50′s. Name one John Wayne film where John Wayne doesn’t play himself. Or Humphrey Bogart. Or Clint Eastwood. Or even Woody Allen, for that matter. And really, what’s the difference between Han Solo, Indiana Jones, and Rick Deckard, other than the setting? The only time where people we deem classic actors and actresses seem to break out of their stereotypes is when they make the ‘challenge’ film. Jimmy Stewart had Vertigo. Jimmy Cagney had Yankee Doodle Dandy. Neither Jennifer Aniston nor Michael Cera have done their challenge film yet. So then why does classic Hollywood get a pass while Aniston and Cera get slammed?

The obvious reason is because we don’t find them interesting. Classic actors had a way of drawing you into their stock persona, of making what you’ve seen for them a dozen times before fresh and interesting. John Wayne played a rugged man’s man, the kind that you wanted to be despite his shortcomings or flaws. Clint Eastwood was the laconic individualist defending the law from lawlessness by acting outside the law. Jimmy Stewart was the everyman, your neighbor next door the postman that delivers your mail, ect. By comparison, Michael Cera plays the bumbling, goofy child on the verge of manhood who’s looking at adulthood and still doesn’t know how to express or relate his feelings. And yes, we’ve all been there, but it’s an awkward and uncomfortable age; therefore, Michael Cera is an awkward and uncomfortable character.

Jennifer Aniston has a big advantage over Michael Cera, though. She’s at an age where her persona can be believable for a couple decades more. I can see ‘Rachel’ pretty much acting the same way in her mid-life crisis and post-menopausal years as she did when she was in her 30′s, and I’m sure most everyone else can too. Michael Cera, though, *has* to evolve. His persona is going to be funny up to the mid 20′s, but then people are going to wonder why he keeps playing these men that never quite leave their adolescence and make it into adulthood.

Not that I would know anything about clinging onto your adolescence into your 30′s and beyond…

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Categories: Movies

An Epic Of Epic Fail

August 14th, 2010 by Kyle

K.O. in the first round.

Early box office numbers from Friday the 13th of August (via Bleeding Cool):

1. The Expendables (Lionsgate) NEW [3,270 Theaters]
Friday $13.5M, Estimated Weekend $34M

2. Eat Pray Love (Sony) NEW [3,082 Theaters]
Friday $9M, Estimated Weekend $26.5M

3. The Other Guys (Sony) Week 2 [3,651 Theaters]
Friday $5.7M (-56%), Estimated Weekend $17.2M, Estimated Cume $70M

4. Scott Pilgrim v The World (Universal) NEW [2,818 Theaters]
Friday $4.7M, Estimated Weekend $11M)

5. Inception (Warner Bros) Week 5 [3,120 Theaters]
Friday $3.4M (-38%), Estimated Weekend $11.5M, Estimated Cume $248.6M

So, looks like Scott Pilgrim is a Box Office Bob-omb.

I hate to say I told you so, but… hey, wait, no I don’t. Nobody wants to hear about the love lives of hipster d-bags. I didn’t, and neither did anybody else.

This also proves a point that I’ve been making for a long time: that pleasing hardcore geeks is not the key to success or failure for a sci-fi/superhero/comics film. It’s simply not a big enough demographic to matter all that much – not on the scale that Hollywood is used to. The geeky community was jazzed for this movie, gave it glowing reviews, generated huge internet buzz for it – and by Hollywood standards it was still a stinking flop because even though the geeks showed up for it in droves, it looks like they’re the only people who did. So remember that – the next time someone tells you that a superhero or sci-fi movie can’t succeed because it’s not doing right by the hardcore fans, point at the epic failure of Scott Pilgrim and remind them that that shows how much the hardcore geeks (really don’t) matter in Hollywood.

“Box Office Bob-omb”… HAH! I crack me up!

UPDATE: I call your attention to an excellent piece by John Tyler over at Cinema Blend, which explains in detail why Scott Pilgrim vs. The World (which Tyler actually liked) failed miserably at the box office. His points are very similar to mine, and the article is very much worth reading.

UPDATE II: I stand corrected. Scott Pilgrim didn’t come in fourth at the weekend box office. It came in fifth – behind Inception, which has been out for a month and a half. Hoo dawg is this movie ever a turkey.

UPDATE III: Wow. It’s actually gotten to the point where Scott Pilgrim is such a box office disaster that SP fans are writing open letters begging Twilight fans to come bail the movie out before it faces oblivion. Now that’s some desperation.

And it still won’t work. I’ve said it before and I’ll say it again: This movie bombed because no one cares about the love lives of a bunch of hipster d-bags. And say what you want about Edward, Bella, and Jacob – at least they aren’t that.

UPDATE IV: Ironically speaking of the above: In its second weekend, Scott Pilgrim got spanked by – wait for it – Vampires Suck. Vampires Suck came in second, making almost as much in one day as Scott Pilgrim, which came in tenth, has in a week. Oh, and Inception, in its sixth week, came in ninth, to beat Scott Pilgrim yet again.

Drop this movie on Afghanistan, because it’s a bomb.

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Categories: Movies

Geek Tragedy #51: At the Movies!

August 10th, 2010 by Kyle

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Dave is joined by Fancy Fembot of the Sci-Fi Party Line as they review their favorite summertime geeky blockbusters! How did this year’s batch fare in their eyes? Dave and Cat are here to let you know!

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And The Gay Community Rejoices…

August 5th, 2010 by Dave

“Great Things Come In Bears”, huh?

Maybe down in West Hollywood they do…

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Categories: Movies

Wave Goodbye

August 4th, 2010 by Kyle

So today Google pulled the plug on Google Wave, the one product it had named after something from Firefly.

For the record, it was overhyped, but never adequately explained to the public, and a botched release left a confused general public to figure it out for themselves. This was not good, because it was both powerful and complex. As a result, it was pushed to entirely the wrong audience, which was never able to adequately “get” it. Of course, it did eventually catch on with a loyal niche. But the suits, impatient with the fact that it hadn’t immediately lived up to the massive hype they’d generated for it, killed it without any regard for letting it grow and connect with people, ultimately leaving millions of loyal fans in the lurch.

So yeah, I guess naming it after Firefly tech really was appropriate!

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Categories: Tech
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